Light is the culmination of my practice at panning lights at night, often from my passenger side window, with increasing exposure times and various film types. For the predominantly blue and black pieces, I used color positive film, such as Fuji Velvia or Kodak Ektachrome Extra Color. For the primarily yellow and white versions, I photographed with color negative film and scanned my negatives as if they were positives. I enjoyed seeing how long exposure times could completely distort reality and show a hidden 'magic' that our eyes could not discern.